The Orchard is the garden of the upper platform of the Barco Borghese: a vast esplanade of about four hectares, recovered as a hortus conclusus — the enclosed garden, bounded by the perimeter wall on three sides and by the former farm buildings on the fourth. It revives the tradition of the pomarium, the utilitarian section of the historic garden that keeps the closed geometric form with a cross-shaped layout and a fountain at its centre.
The heart of the composition is the central axis linking the entrance portal, Vasanzio’s fountain and the belvedere overlooking Rome and the Roman Campagna: the very same line as the grand “perspective telescope” descending from Villa Mondragone along the avenue of cypresses.
The design of the new layout is articulated in three parts. The primary component is set by the historic, structural elements: the perimeter wall and the central axis linking portal, fountain and belvedere. The secondary component is laid out on the grid of the 19th-century agricultural lots, which defines a multiplicity of modules: the 17 thematic islands, each dedicated to a traditional species of the territory. Then there is the substructures sector, the Roman artificial extension occupying a third of the platform, where no planting is foreseen but a ground design recalls the vaulted chambers below.
The islands of ancient fruits, the archaeological sector of the substructures and the signature gardens.

Apricot of Monte Porzio, sour cherry, sorb, azarole, quince, mulberry: the traditional, now-forgotten species of the territory.
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The Roman labyrinth of vaulted chambers and the future Museum of Roman building techniques.
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The green theatre, the hanging gardens, the flowering meadow, the rose-clad berceaux.
Discover →In the absence of firm documentation on the ancient plant composition, the design of the new layout (Plate 1) starts from the only available historic source: a late-19th-century plan showing the division of the Barco into agricultural lots, whose traces are still legible from aerial photographs.
On this modular grid sit the 17 thematic islands, the formal axis with its pale gravel, the four pairs of cypresses at the nodal points and the garden sectors, in a design that fuses geometric rigour with a rural tone.
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